Kapustin’s piano etudes, in particular, are a considerable contribution to standard etude repertoire that remains understudied. Kapustin’s etudes are innovative. Sheet Music – £ – Kapustin was trained in the great Russian piano tradition and his style is a fascinating and distinctive blend of classical and jazz styles. Abstract (summary): Nicholai Kapustin (), a Ukrainian composer whose music amalgamates the Western classical tradition with jazz.
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Piece for five saxophones and orchestra Op. A Little Duo for flute and cello Op. Countermove for piano solo Op. Curiosity for piano solo Op. Sonata for flute and piano Op. The site is also available in several languages.
“Fusion of Classical Virtuosity and Jazz Techniques in the Etudes of Ni” by Ruby Wang
Concertino for piano and orchestra Op. Five Etudes in Different Intervals for piano Op. Three Pieces for orchestra Op. Toccatina for piano Op. All in all, one of the most enjoyable piano discs I have japustin in ages.
Tonwiederholungen springen von einem Register zum anderen und erinnern an die wohlerzogenen Synkopen aus Gershwins Rhapsody in Blue. Ten Bagatelles for piano Op.
Concert Etudes (8) Op. 40 Piano
The lack of thorough research and related literature on his works, combined with the difficulty of obtaining his compositions in the West, make this study relevant and a pertinent start to shed more light on the composer and make his works more approachable for contemporary pianists and jazz connoisseurs kapustkn. Skip to main content Scholar Commons.
Concert for violin, piano and string orchestra Op. The recording is characteristic of Hyperion’s piano sound at its considerable best.
Eight Concert Etudes, OP. Twenty-Four Preludes for piano Op. Ten Inventions for piano Op.
Twenty-four Preludes and Fugues for piano Op. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Rainy weather for piano solo Op.
Concerto for piano and orchestra No. Piece for two pianos and orchestra Op.
Kapustin’s piano etudes, in particular, are a considerable contribution to standard etude repertoire that remains understudied. Toccata for piano and orchestra Op.
Piece for string quartet kapustun Last Attempt” Op. Freeway for piano solo Op. No 1 Allegro assai tears out from the starting gate with a twelve-bar introduction that quickly transports us to the crowded streets of Rio de Janeiro at the height of Carnival season.
Concerto for alto-saxophone and orchestra Op.
Nearly Waltz for cello and piano Op. Chorale and Fugue for orchestra Op. Fantasia for jazz quartet Op. Trio for flute, cello and piano Op.